Creating Frames: Contemporary Indigenous Theatre 1967-1990Provides the first significant social and cultural history of Indigenous theatre across Australia. Creating Frames traces the journey behind a substantial national body of work and its importance in ensuring that Indigenous voices are heard. |
Contents
SINGLE VOICES | 3 |
COLLECTIVE BEGINNINGS 1972 | 42 |
THE CRITICS RESPONSE | 66 |
A PRECEDENT 19731977 | 94 |
Framed by Multiculturalisms Authenticity | 127 |
ON THE WAY TO A BRAN NUE DAE? 19861990 | 165 |
CREATIVE CONTROL 19901997 | 199 |
Chronology of Productions and Publications | 282 |
Notes | 288 |
Bibliography | 323 |
Common terms and phrases
Aboriginal and Torres Aboriginal Arts Board Aboriginal Theatre actors Adelaide AETT audience Austra Australian Council Australian theatre Basically Black Belvoir Street Black Theatre Blacklock Bob Maza Bran Nue Dae Brisbane Cake Canberra Centre Cherry Pickers collaboration critical cultural Currency Press Davis's directed drama Dreamers Dreaming Ernie Dingo established Euro-Australian experience Festival of Perth film focus frame funding Gary Foley Gerry Bostock Ilbijerri Indige Indigenous artists Indigenous Australians Indigenous writers issues Jack Charles Jack Davis Kevin Gilbert Kooemba Jdarra Koori Kullark land rights Langton Melbourne Merritt Mudrooroo Narkle narrative National Black Nimrod Nindethana Ningali non-Indigenous Australians Noongar Oodgeroo organisations performing arts personal interview play playwright policies production Program Queensland radio interview reconciliation Review Ross season social Stages of Grieving story Street Theatre Sydney Morning Herald Thea Theatre Company tion Torres Strait Islander tour WATC Wesley Enoch Western Australia workshops Yirra Yaakin
References to this book
Men at Play: Masculinities in Australian Theatre Since the 1950s Jonathan Bollen,Bruce Parr,Adrian Kiernander No preview available - 2008 |