State Library - free exhibition to 17 June 2018
Photographs of the Waterloo area, about to change

Down the barrel: Indigenous resistance
The Photography of Elaine Syron
Verge Gallery exhibition August 3-26
  

A Day of Conversations

photos by Barbara McGrady
  
this was filmed - watch online

The land rights photography of Elaine Syron [ALC]

Elaine Syron - biography and photography collections

Elaine at 'Talk the Change/Change the Talk'

hEAd oN photo festival

I would buy ... 10 years on Rebecca Hickey Marilyn Hickey Kathy Hickey Cynthia Hickey Bianca Hickey Greg Walford Victor Walford Kirsty Hickey Elizabeth Warning

Keeping Place meeting 6.30
includes many boxes of Elaine's Redfern photos
a treasure trove that needs support

Redfern in the '90s, photographs by Brenda Croft
Art Gallery 6 April – 15 October 2013



Watch on YouTube
Daniel Browning with Brenda L Croft, Suzanne Ingram,
Bonny Briggs, Jody Chester, Mary Mumbulla, Tim Bishop

Desperate measures NITV 2013

I spy  (3 Photos)

 
Elaine's photo of Vernon Chilly who grew up in Mum Shirl's home in Redfern

Guwanyi: stories of the Redfern Aboriginal community was exhibited at the Museum of Sydney, 21 December 1996 – 4 May 1997. The exhibition was curated by Brad Webb, with assistance from Paul Jones, Shane Phillips and Cathy Craigie, using the work of four photographers: two Aboriginal – Brenda L Croft and Michael Riley, and two non-Aboriginal – Roger Parton and Elaine Kitchener (now Elaine Pelot Syron). A booklet of the same name as the exhibition was published and contains essays and interviews with people from Redfern.
 

1 For the Mob, Brad Webb , 1996 prose 2 Redfern, Cathy Craigie , 1996 prose 3 Interview with Shane Phillips by Brad Webb 4 Michael Riley, interviewed by Brad Webb 5 Brenda Croft, interviewed by Brad Web

 
Links:    Museum of Sydney exhibition     |     Review written by Kellee Nolan

Guwanyi ['to tell'] is also in our oral history section

see the 35 of Michael Riley's photographs
 of people in Redfern,
that were shown in Guwanyi
here
National Gallery

'They are really just snapshots. I didn’t go out to try and compose these
 photos – they are just snapshots of people in a certain time and place.
Blackfellas love it when they have their photographs taken by people that they know.
They pose up real big when you pull the camera out – especially family.'

michaelriley.com.au